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Days of Glory ('Indigenes') / ***1/2 (R)
By Jim Emerson Editor, RogerEbert.com Rachid Bouchareb's "Days of Glory" is a rousing, old-fashioned World War II platoon movie in the gritty tradition of combat pictures like Don Siegel's "Hell is for Heroes," Sam Fuller's "The Big Red One" and Steven Spielberg's "Saving Private Ryan." And if the word "Glory" in the English title reminds you of the 1989 multiple-Oscar-winning movie with Morgan Freeman and Denzel Washington, about the first company of black soldiers during the American Civil War ... well, that's probably just fine with the film's U.S. distributors, the Weinstein Company and IFC Films.

February 23, 2007 / * ()
The Astronaut Farmer
The Number 23
Reno 911: Miami
Amazing Grace
Two or Three Things I Know About Her, Commune

The Lives of Others / ***1/2 (R)
By Jim Emerson Editor, RogerEbert.com The little gray man has an oblong head, bald on the top, with a trim salt-and-pepper cut on the sides. His face is pale, his features bland -- not sharp, not soft, but somewhat indistinct, except for his steel blue eyes. It's the face of an invisible bureaucrat, the kind of unnoticed figure who watches from behind walls. He wears a gray jacket, zipped up tight, with lighter, angular patches on the shoulders and chest, highlighted by silver rivets for a military effect that suggests both the state uniform he used to wear and a drab Eastern bloc knock-off of some '80s New Wave fashion-band outfit. Everything about him is symmetrical and monochromatic, rigid and straight.

Climates / ***1/2 (Not rated)
By Jim Emerson Editor, RogerEbert.com The air is alive in Turkish director Nuri Bilge Ceylon's "Climates" -- more alive than the characters, who are like inert lumps of rock or sand. But that's the point. In this movie, so finely attuned to frequencies of light and sound, it's the invisible space around the characters that swarms with life and possibility. Their interior lives are muddled, opaque even to themselves, and they can't express anything directly, not even their own anguish and dissatisfaction.

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Previous Weeks On Roger Ebert Review

Weekend Box Office: February 16-19, 2007
Ghost Rider tops the box office with $52.0 million

Daily Box Office: Thursday, February 22, 2007
Ghost Rider tops Thursday's box office with $2.1 million

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